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Poems By Poet Warren Falcon  9/2/2014 6:37:55 PM
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Warren Falcon   Best Poems From
  WARREN FALCON (04/23/52 - xxxx)
 
 
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  89.     

Evocation of River and Spirits

in this city

to guess

having no acumen with
numbers and math but
father's over there
in the cup tilted
over
spilling into

o endlessly
it's seams

it seems
from river bank
into memory which
is - already
over-said
overheard redundantly
as 'river
and time'

- this one
now recalled
to Mind, dad

dad
the cloud drift
and the flows
the tides beside
the city
(both sides)
is as ancient
as it always was
& is

as in the beginning
was darkness over deep
water & a word, any word
really would do it,
form something
out of deep, of
dark, of water
which shapes it-
self only by outer
circumstance,
in this case
a word
leading up to
this -




Palisades cliffs
above bridge tilt

toward, always,
currents,

the river
over-

flows north-
wards

tides rare defy-
ing the moon

that other pull,
you

live the other
side of

sand
the palm sewn

swaying adhered
to Mind

x 1

still, to pass the
time now

x 1

the sooty hand

x 1

over black
'mouth'
or word
allude perhaps
to river's at
city's start
up from water

the silver bay
capped, remembering
frigates

x countless

ferries torn

and Tories be-
tween seas
wars
vast to
the east

x duplicating

waves, stretches
the narrows,

the necks with
rocks strewn,

the lonely buoyless
waves over depths

their vespers
intone

once was laughter
spent

seeking out
between bodies

continents
valleys eternally

shifting eluding
rapture

x 1

whisper

contraction
of sentinel
bells against
each of each
reaching

x 2, the clappers

x 20,000

(of bells
anatomy there
is much to
say
(of the
elements,
zinc, copper,
tin, & more
while not for-
getting brass
more commonly
used)
of infusion
into cuppolas

the beating
the shaping
heat also to
be given account
amounts much into
bells conformed
gracefully out
in the end,

but only
as metal,
sharp tongues
blunted can of
bells then speak

tonally only

overtones inviolate

in violent swings
side to side the
hard knock shocks
into, quake into
belfry beyond
dance of iron
bronze overtaking
&
annunciant round
of hammers)

so many dawns

x so many goings

down of the sun


x fortune the lips

x myriad ones gone

before of murmurers

O lover

of thee

I adore

in timbre

thru the

window rings

the arms too

wring out

breath to

breath

x no more

embraces

into indolence




This, just to
reintroduce some
levity

for we (loves)
were many day-ed

x merry

we merrily played
harming no one,
not even the
mouse unmoved

perhaps, watching
perhaps, still,
still, from beneath
the god you insisted
be excluded from
all our nakedness

x 1 too many breaths

exchanged, groped

x many ropes all our

wanting




father loves
with his cup
his pipe songs
of love
of love will he
dance between
the violent fasts
from love,
our mother,
with,
fast around around
& around the danced
living room
phonograph brass
loud plays
where June
curtains sway
me and Mr. Miller

I stand behind
them the curtained
dancer entranced
entered into/
upon a mystery
how one could
be so, well,
swell, so
marvelous &
so cruel, (upon
one silver stem
hangs the metal
tin top jags
tears at
memory edge
opens facts

FACT

that there was love,
there was love after
all

I can see
it smell it
feel it there
dancing round
the living

one dropp Mr.
Maxwell holds,
hold on to &
upon goodness
brown pulled
from below down
& dark into deep
such this is
the riddle it is
all now become
since you
departed, love

since you
departed I shall
count backward by
3's then by 4's
these father
memories
torquing
the

door which once
embraced you now
never lets you

go

x brooms

or releases

now you, love
are new memory
hands emptier
sensitive finger-
tips filligreed
prints your
body hairs
sifted imprinted
touching softly
x all the x's
here accounted
for, listed,
besos as kisses
scribbles, notes,
letters,
no matter
the black or
blue tide

of thee
O lover

what
slips out
ebbs black
back into lapis

lapses into what
self is

uttered/poured,
scored trans-
parent upon
surfaces

faces which are
even
eyes which now
glaze with love/
loss

beside the flue

glaze upon the
pane

the black
mouse remains

stays,
is many,
a multitude
of petals

x 3

the jasmine
unspurned
at last

at last/least
O return
soft Junes
the lips of
which are
sometimes
pink, of
lavender
swollen, as if
to kiss

x memory

x Maxwell the

house the cup
O Mr. Miller
an O'Day serenade
plays close
...'Hi ho trailus
boot whip
boo boo daddy
floy floy'...

the late night
suppers of chops
the peeled onions
the laughter the
potatoes boil
& bubble in the
pot then
father
to dance
the butter in
the sizzle in
the cast iron
pan

their vespers
now descant,
descend
...'How high
the ocean, how
high the moon...


hungry
the
dish it has
all become
feast for
black 'mouth'

& mouse makes again

x 3 the antinomies

a string

of pearls

anemones

& thee O lover

bring all them

back, so many,

to me now

x Pennsylvania 6-500.
 
Warren Falcon
   
 

   
   
 

  90.     

Extensiones de Accidente - Estrofas de Frieda Kahlo

Estrofa 1

No podía dejar allí,
tuvo que se ensanchan, se seca la pintura,
y la carne, secador de piel de abajo
a los huesos, un esqueleto sin sexo *,
cráneo ya no bigote,
** una calavera, nada más,
siempre de calcio dependientes de curvas
sobre lienzo, lo que se congela
no para avivar y quema,
una 'cola de pavonis' **.

* Skeleton
** Cráneo
*** Peacock Tail (una imagen en la alquimia)

Estrofa 2

Calavera, el futuro está
mano a la boca, los dedos a la frente
desarrollando ante formas aún instatic.
Mantener desesperadamente a cuadros antes
estas percepciones temblando.

Estrofa 3

Para llegar a un acuerdo
con lo que sucede
en repetidas ocasiones -

16 años de edad,
perforación de metal viola
carne recién mujer,
se convierte en algo
totalmente asombrado,

dolor furioso, implacable
quemaduras de vapor, sin embargo,
Sin embargo, cada lienzo,
siempre cayendo hacia atrás

dentro de la cruel alquimia
vas, astillas de vidrio
en los nervios implacable,
revestido de acero chapado en Virgen
tiene un cíclope de un amante.

Estrofa 4

Para vivir más en su mundo,
a vivir en su México
que no se niega
comodidad de hierro ni de la gracia,
Siempre es una sorpresa,
puesto / desplazados
marcar con una cicatriz junto
de carne y espíritu,
la humanidad,
un descuartizado y devorado
Cristo como encarnación sólo permite,
autonomía insistente argumento de la autonomía,
aceptación en bruto.

Estrofa 5

El descubrimiento de la cero siempre pesada,
el único absoluto de mérito -
de dar a luz a la multiplicidad, diversidad,
perversa, mucho más irascible aún
Embraceable, enloquecedoramente borrable
mientras que crece más allá de contar los brazos,
el mejor para llevar a las densidades implacable.

Regalo de Arabia, el cero no aleados
medidos en masa - un mejor nombre para Dios -
vector torcer la historia térmica, el espejismo fantasmal,

materia prima,

a pesar de, o dentro de la matriz metálica,
los martillos de herrero corazón cardenillo
cámaras, los ventrículos, en forma, de Newton
conjugaciones grave, el tiempo de vida solidificada,
Presencia endurecido, rigidez en diluir
representaciones de metal común

Estrofa 6

... Y Frieda casta,
telas de alambre persiguiendo el plutonio,
lleva el extremo romo de la Presencia,
final del Eón de los peces
apenas más allá de la Edad de Bronce es sólo
afilado bordes acanalados,
prefiriendo los de obsidiana
hackeado, astillas, raspado
en piedra dura.

Frieda, el volcán nacido,
se convierte en recipiente conyugal,
Pluma de quetzal, unidos a
Serpiente de la piel renacimiento extensiones de accidente,

un Dios que regresan, barco y el caballo
liberado de la barba roja de la
mar hinchado enfrenta todavía una más
deidad que requieren sangre.


Estrofa 7


Noche oscura en pleno día,
todas las apariencias
una deriva más allá del significado,

Sólo un autobús de vaivén
carena de nuevo
repetición de colisión
del himen de la Virgen,
Anfitrión amniótico siempre un
Amante divide una vez más,
Crepusculares Christi.

Y Kahlo, venerado ahora,
Mujer de varias imágenes de Cristo -
Un sufrimiento con los pechos,
oculta cornamenta útero

una mueca de dolor en anunciaciones anviled
verifica sólo en las creencias vacilante
como lloran las estatuas,
apariciones surrealistas Strung Out
en coniunctio,

Chica Getsemaní visto,
ya no se oculta
u ocultas a la vista,
Cristo-o-forma agonía, aislar,
enojado, furioso humanos, privados
confusión, despreciado, rechazado,

maldad dentro de nosotros
destinado a ver nuestras deidades
hasta el final, aunque
más allá de la capacidad para oler la necrosis,
para ver el orificio de salida del alma
coagular disfrazados de piel,
los músculos, tendones.

Estrofa 8

Esta ruptura le dice.

Somos
no sin amor
por eso,

que Rod,
y Presencia
Que conoce y

participa de lo que
Imágenes de Frida Kahlo
al igual que su
la vida vivida retratar.

No hay culpa.

Sólo manchas, existen,
exquisitos como el entierro
paños de la Una
Embistió a un árbol
sufrimiento Paternidad Divina.

Estrofa 9

Circulatio.

Kahlo llega a las puertas del bus
que se acaba, una vez más, se detuvo en su parada
para llevar hacia delante en la leyenda.

[Para leer en el Espanol busca aqui en este sitio:
'Extensions of Crash - Strophes for Frieda Kahlo'
 
Warren Falcon
   
 

   
   
 

  91.     

Extensions of Crash - Strophes For Frieda Kahlo

As with love
also the bellows

Strophe 1


no stopping here

to flare out

dry paint

the dryer flesh

peel down

to bone


sexless skeleton

skull no longer

mustached


skull and

nothing more


curved calcium

forever reliant

upon canvas

upon what is

congealed there

to fan and burn


a 'cauda pavonis'*


*Peacock's Tail (Latin, an image in alchemy)


Strophe 2


Calavera - the Future
stands hand to mouth
fingers to forehead
unfolding before still
instatic shapes

framed perceptions quake


Strophe 3


to come to terms
with what happens
repeatedly

16 years of age
piercing metal violates

turns into something
utterly astonished

livid

burns to vapor


still each canvas
backward falls

cruel alchemical
vas splinters
unrelenting nerves


encased steel-plated Virgin
takes a cyclops for a lover


Strophe 4


Discovery of the always
heavy Zero - only Absolute
of merit

births multiplicity
arms grown beyond counting

the better to carry
unforgiving densities

Gift from Arabia
the non-alloyed Zero
unmeasured by mass

better names for god:

thermal history

twisting vector

ghostly mirage

prima materia


in spite of or within
Metallic Matrices
blacksmith heart
hammers verdigris
chambers ventricles
shapes Newton's
grave conjugations

more names:

timed solidity

hardened Presence

dilute rendering

base metal


Strophe 5


'Chaste plutonium wire
bear the blunt Presence'

volcano born she
turns into conjugal
vessel

Quetzal plume
conjoins to Serpent
skin rebirthing
extensions of crash

and a returning God

boat and horse
delivered from
the red beard of
the bloated sea
confronting yet
one more deity
requiring blood


Strophe 6


only a swaying bus

careens yet again

repeats collision


Virgin's hymen torn


amniotic Host a

Lover forever dividing

concealed antlered

uterus


anvilled annunciations'

apparitions strung

on coniunctio


destined to see

deities through to

the end beyond capacity

to smell necrosis


to see the exit wound

of soul coagulate

disguised as skin

muscle sinew canvas


Strophe 7


Circulatio

arrive again upon the
threshold

the bus once more stops
at her stop


carries her forward into Legend
 
Warren Falcon
   
 

   
   
 

  92.     

First Snow of New Year Haiku-esque

to hear leaf beds give
weight to what has fallen

much to learn there in that
 
Warren Falcon
   
 
 
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Poems By Poet Warren Falcon