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Poems On / About WORK  7/7/2015 4:55:22 PM
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Best Poems About / On WORK
 
 
 
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  117.     

4: 44 A.M.!

4: 44 A.M.!
Being in the land of your muse with the care of my mind;
There, i met your love.

Work and act,
Work and love,
Work and peace,
Work and unity,
Work and care,
But, rising up early in the morning to face my work!
For, i met your love in the land of your muse.

4: 44 A.M.!
Working it out together with you;
And like the muse of the joy around us.
 
Edward Kofi Louis

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  118.     

Thomas Hardy

Thomas Hardy was a master wordsmith with many an imitator
A leading writer of his time than him few if any greater
His poems and novels still in print his work has not gone out of fashion
He kept on writing to his old age and he did pen with a passion
Great writers like him live in their work and he worked hard for his glory
And he penned many the fine poem and many the fine story
He worked hard at his writing skills and as a writer was prolific
He wrote of life and love and Nature and of things mostly pacific,
Thomas Hardy has been dead for many years but his fan club numbers are still growing
He will always have his admirers and sales of his work not slowing
He lived in an age of great writers and his works bring joy to many
One of the major writers of his time he was as good as any
When literary critics talk of British writers his name always gets a mention
A writer for all ages his works worthy of attention.
 
Francis Duggan

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  119.     

'More Work To Do'

I've not the time to settle in when work is gone undone.
So much work afraid to say that carries me my ton.
And though the work is not all mine or left for me to do.
Still toil to finish up this work, hope I'd be seeing you.
You see it will not do itself, these tasks leave me pursue.
And you shall know when work gets lite soon all this work be
through.

Thank God it's now the two of us that toil for end of day.
We work for those that suffer great with no place they can stay.
Might we find a third to help us grind this spinning stone.
For I believe the three of us might feel so not alone.

Thomas Adams
The Poetaster Oct-2013
 
Thomas Adams

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  120.     

Dina Vieny, Maillol And Matisse

When posing for Maillol she looked quite obese,
since Aristide thought fat is fine,
but having been drawn by his good friend Matisse,
she left him reduced to a line.

Inspired by an obituary of Dina Vierny, Aristide Maillol’s model, by William Grimes (“Dina Vierny,89, model for Maillol’s sculptures, ” NYT, January 27,2009) :
Ms. Vierny was a 15-year-old lycιe student in Paris when she met Maillol, in the mid-1930s. The architect Jean-Claude Dondel, a friend of her father’s, decided that she would make the perfect model for the artist, who was 73 and in the professional doldrums. “Mademoiselle, it is said that you look like a Maillol and a Renoir, ” Maillol wrote to her. “I’d be satisfied with a Renoir.” For the next 10 years, until his death in a car accident in 1944, Ms. Vierny was Maillol’s muse, posing for monumental works of sculpture that belied her modest height of 5 feet 2 inches. By mutual agreement, the relationship was strictly artistic….Her Rubenesque figure and jet-black hair indeed made her, as Dondel had predicted, “a living Maillol, ” memorialized in works like “The Seated Bather, ” “The Mountain, ” “Air, ” “The River, ” and “Harmony, ” his last, unfinished sculpture. Maillol also turned to her as a subject for drawings and painted portraits, like “Dina With a Scarf, ” now in the Maillol Museum.
In 1939, Maillol took refuge at his home in Banyuls-sur-Mer, at the foot of the eastern Pyrenees. There, Ms. Vierny, who had already begun working for a Resistance group in Paris, was approached by the Harvard-educated classicist Varian Fry, whose organization in Marseille helped smuggle refugees from occupied France into Spain. Unbeknownst to Maillol, she began working as a guide, identifiable to her fleeing charges by her red dress. The work was doubly dangerous because she was Jewish. Ms. Vierny soon began dozing off at her posing sessions. The story came out, and Maillol, a native of the region, showed her secret shortcuts, smugglers’ routes and goat paths to use. After several months of working for the Comitι Fry, Ms. Vierny was arrested by the French police, who seized her correspondence with her friends in the Surrealist movement but failed to notice stacks of forged passports in her room. A lawyer hired by Maillol won her acquittal at trial, and to keep her out of harm’s way the artist sent her to pose for Matisse in Nice. “I am sending you the subject of my work, ” Maillol told Matisse, “whom you will reduce to a line.” Matisse did several drawings and proposed an ambitious painting that he called a “Matisse Olympia, ” after the famous painting by Manet. When Maillol heard that the project would take at least six months, he hastily recalled her to Banyuls. She also posed for Dufy and for Bonnard, who used her as the model for “Somber Nude.” In 1943, Ms. Vierny was again arrested, this time by the Gestapo, in Paris. She was released after six months in prison when Maillol appealed to Arno Breker, Hitler’s favorite sculptor.


1/27/09
 
gershon hepner

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